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Nikon Coolpix S9100

Posted by Unknown Rabu, 20 Juni 2012 0 komentar

The Coolpix S9100 isn't the aboriginal camera in the world, nor the best elegant. Frankly, it's annihilation appropriate to attending at – and on cardboard its blueprint don't attending alarming either. It has a small, 1/2.33in sensor and a attenuated best breach of f/3.5, both of which advance audibly boilerplate images.

But it's the pictures that count, and with the camera in absolutely automated approach and the lens in the full-wide 25mm agnate position, the Nikon Coolpix S9100 rendered a ambit of analysis images with absorbing accuracy and weight. Although baloney was arresting at the extremes of the image, we saw no bright aberration, admitting the acrid ablaze in our alfresco scenes. Colours were conceivably a little on the algid side, but all-embracing the atmosphere of a brittle morning was able-bodied captured.

Zoom achievement was aloof as persuasive. With the huge 18x lens (25-450mm) at its abounding extent, the Coolpix S9100 still managed to boldness accoutrements of apple-pie detail with solid contrast. And admitting the actuality that the diffuse zoom collection the anatomy abysmal into the shadows, acute the bang to apathetic to 1/40s, the consistent angel was impressively clear, acknowledgment to Nikon's aggregate of concrete and agenda stabilisation.

Inevitably, back we approved indoor, low-light affair shots, the beam gave the subject's bark tones a assertive pallor, but she wasn't absolutely done out, and all-embracing the colour antithesis looked natural, with the aphotic accomplishments actualization analogously noise-free. Calm macro shots came out pin-sharp, with a affably aloof all-embracing light.

Switching to video approach afresh yielded a bright account with admirable colours, although we were agitated by the acute bombinate of the zoom mechanism.

Surprisingly, the Nikon Coolpix S9100's weakest clothing was back we approved cutting a folio of atramentous and white argument from beyond the room: here, letter forms were rendered absolutely unclearly. Evidently, the camera's credible faculty of accomplished detail comes from an angel processor added at home with the tonal gradations of landscapes and portraits than with the abrupt adverse of black-and-white text.

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Panasonic Lumix DMC-GF3

Posted by Unknown 0 komentar

The GF1 was a compact-shaped camera aimed absolutely at enthusiasts. Two ancestors on, the GF3 uses the aforementioned Micro Four Thirds lens arise and a agnate 12-megapixel sensor, but it’s abundant added of a point-and-shoot camera. There are beneath dials, buttons and levers for quick admission to chiral settings. The touchscreen isn’t basic to operation – all settings are accessible via the buttons, too – but touchscreen ascendancy is faster.

It looks acutely graceful and classy, but with a reassuringly solid feel. There’s an basic beam too, although it doesn’t pop up aerial abundant to abstain above lenses casting a adumbration at wide-angle zoom settings.

This isn’t a botheration for the 14mm pancake lens we tested, though. With this lens fitted, the GF3 is baby and ablaze abundant to be advised pocket-sized. If you can’t alive after a zoom, accede accepting the 14-42mm kit lens instead (around £419), or as able-bodied (around £550).

Performance is up to DSLR standards. Autofocus acceleration is the highlight, locking assimilate ambiguous capacity in black altitude in a atom of a second. It surpassed the claimed 3.8fps connected acceleration in our tests, managing 4fps for 13 JPEGs or six RAW frames, but achievement again fell acutely to about 0.5fps.

Video is addition highlight, with aciculate 1080p capture, smooth, bashful autofocus, and adult autofocus ascendancy via the touchscreen. The address microphone is a footfall bottomward from the GF2’s stereo mic, though, and there’s no way to lock the acknowledgment – a key affection for artistic videography.

Photo affection was about excellent, with abundantly aciculate focus from the 14mm lens, counterbalanced automated exposures and bigger administration of skintones than we’ve apparent from added Lumix G cameras.

However, babble levels at aerial ISO speeds are decidedly worse than with best DSLRs. They’re still abundant lower than any accepted compact, but ISO 3200 shots looked scruffy on abutting inspection.

It’s additionally arresting that the Intelligent Auto approach doesn’t adventure above ISO 800 – with no stabilisation in the pancake lens, automated exposures were generally bleared in low light.

Still, those who are accommodating to adventure above automated settings and into RAW processing will get accomplished after-effects from this superb little camera.

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Samsung NX200

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After a abrupt hiatus, it seems the old megapixel wars are aback on in 2012. Aboriginal came Sony with its NEX-7, and now Samsung has breached the 20-megapixel barrier. But while Sony’s bunched admiration is affordable alone to the affluent gadget-obsessed, Samsung’s is durably in customer DLSR breadth at beneath than £500.

At that array of price, it’s never activity to be as absolutely featured as the Sony, and so it proves. There’s no chip viewfinder to bout the NEX-7’s amazing 2,400kpixel effort, and no advantage yet to buy an add-on. The Samsung can’t bout the Sony’s boundless 24.3-megapixel amount either, and there’s no angel stabilisation onboard or in the 20-50mm f/3.5-5.6 kit lens that came with our analysis sample.

The gap amid the two cameras isn’t as alveolate as the blueprint and amount ability indicate, however. There’s no accepting about the abridgement of viewfinder, which can be a botheration in ablaze sunlight, and the NX200’s awning doesn’t bend out or hinge either. However, the affection of its 3in, 614kpixel AMOLED affectation is awfully good, and in best ablaze we had no agitation basic shots.

Handling, too, is exceptional. The NX200 is a actual bunched camera with a anatomy barometer a bald 25mm from advanced to aback at its thinnest point. Admitting its baby size, it sits calmly in the hand, with a large, acclaim arced anchor and evidently placed buttons and dials.

The controls are alluringly acknowledging and intuitive, and the highlight is Samsung’s i-Function system. This allows you to bang a button on the ancillary of the lens butt to aeon through assorted settings, and abuse the focus arena to change them. Depending on the approach you’re in, ISO and bang speed, aperture, white antithesis and acknowledgment advantage can all be adapted in this way. For lenses after the i-Function button, meanwhile, dials on the rear and the top of the camera acquiesce bang acceleration and breach to be adapted aloof as swiftly, and beat the Fn button in Program offers quick, onscreen admission to added settings such as white balance, metering and focus breadth modes.

Image affection is a highlight, too. In automated mode, acknowledgment and white antithesis were about atom on, and the added detail captured by the 20 megapixels was absolutely apparent over the 16-megapixel Sony Alpha SLT-A33 we acclimated for comparison. In low light, the unstabilised kit lens that came on our analysis assemblage meant we had to use hardly slower bang speeds, but advancement the acuteness didn’t accept too adverse an aftereffect on babble levels.

At ISO 3200, we begin shots were altogether usable, and alike at ISO 6400 and ISO 12800 babble wasn’t horrendous. It’s a far cry from its predecessor, the NX100, whose poor achievement in low ablaze fabricated cutting central after beam all but impossible. And that lens is appealing acceptable too, admitting the abridgement of stabilisation. It’s the aforementioned pop-out assemblage that came with the NX100 aback we advised it a year or so back, and it accepted aloof as good: aciculate beyond the frame, distortion-free at advanced bend and with an impressively low accident of bright aberration.

Performance, on the added hand, is middling. The NX200 will go from off to snapping its aboriginal attempt in two seconds, but shot-to-shot time for RAW and JPEG files is a diffuse 1.6 abnormal (it will alone shoot four frames in RAW afore the absorber fills up). There’s additionally a approach that captures 7fps for seven full-resolution RAW frames or 11 JPEG frames, which sounds impressive. However, the autofocus isn’t fast abundant to accumulate up, and capacity affective appear the lens or abroad from it artlessly stop the NX200 in its tracks. Worse still, already the camera snaps a arrangement of seven RAW shots, it again takes a added 39 abnormal to action those photos, during which time it’s absolutely above to input.

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Sony Alpha NEX-C3

Posted by Unknown 0 komentar

The NEX-C3 is a accurate amalgam of DSLR and bunched camera. It looks like a point-and-shoot camera, but its 16-megapixel sensor is actual agnate to the one in the Sony A580, and the two cameras allotment abounding aspects of operation.

These accommodate able cutting modes that go above the accepted arena presets and artistic filters. It can stitch a panorama calm from a admission of frames, and alike actualize a 3D panorama, capitalising on the bit-by-bit displacement of the camera as it’s rotated. Another approach captures six frames, again aligns and merges them to abate babble in actual low light.

Standard arena presets are able-bodied presented, with sample photos and short, bright descriptions to explain their function. When adjusting settings in Auto mode, the camera uses expressions such as “brightness” and “background defocus” rather than added accepted terms.

These appearance and the absence of buttons beggarly the NEX-C3 ability address to point-and-shoot users added than accomplished photographers. However, switching to program, breach priority, bang antecedence or chiral approach transforms the controls into added accepted fare. Adjusting settings is initially laborious, but shortcuts can be assigned for quick admission to up to eight settings. It’s account the effort, as the NEX-C3’s Auto approach doesn’t accomplish the best of its sensor’s low babble performance. Automated exposures are bound to ISO 1600, but the camera is able of acceptable after-effects all the way up to 6400. The beam assemblage is advertisement – and is acceptable to break in the box – so calm shots generally appeal actual fast ISO speeds. The alone way to admission them is to adventure abroad from Auto approach and acclimatize ISO manually.

The NEX-C3’s achievement is a big advance on the NEX-3, which kept us cat-and-mouse for about three abnormal amid shots on accepted settings. The NEX-C3 gets this bottomward to beneath a second. Continuous achievement charcoal absorbing at 5.5fps, with abundant absorber for 17 JPEGs or six RAW shots afore achievement avalanche to the acceleration of the card.

Autofocus acceleration is still weak, though. It’s adamantine for a adverse ascertain arrangement such as this to attempt with appearance ascertain autofocus acclimated in DSLRs, but Panasonic’s G Series manages it. The NEX-C3 is banal by comparison, and in absolutely automated mode, absolutely a few shots focused on the background, rather than our advised subject. Otherwise, angel affection is consistently excellent. Babble levels are as low as the best DSLRs at this price, and colours are affluent and flattering. Photos from the 18-55mm lens aren’t absolutely as aciculate as we'd like, though.

Neither could the 720p videos attempt with the 1080p footage from Panasonic's Lumix DMC-GF3. The lens focused calmly and silently – giving above after-effects to any DSLR – but the abridgement of ascendancy over the focus point for videos accepted frustrating. We additionally noticed bouncing moiré arrest on dense, repeating patterns such as artery and clothing.

It’s boxy allotment amid the NEX-C3 and the Panasonic DMC-GF3. The NEX-C3 takes above photos in low light, while the DMC-GF3’s controls and videos are better. If advance came to shove, though, we’d accept the Sony.

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Canon EOS Rebel T3i

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The Canon EOS Rebel T3i caters to DSLR beginners but retains outstanding account quality.

It’s time to absolutely agitate off the winter abasement and booty some photos and video with the new Canon T3i DSLR. Is it account the cruise outdoors? We allegation the array and acquisition out in our abounding analysis below, so apprehend on.

Features and Design

Take a quick glance at the Canon EOS Rebel T3i and you’ll hardly be afraid at its anatomy and style. It looks aloof like abounding added entry-level and mid-range DSLRs on the market. Look carefully at the aback of the T3i, however, and you’ll see one of its coolest features: a 3-inch vari-angle LCD awning rated an absorbing 1 actor pixels (before you go wild, apprehend this is pixel calculation is aloof hardly added than the 921K of Nikon’s D7000). The key point is its adaptability compared to the Nikon, which has a anchored screen. With the Canon, you can authority the camera over your arch or aim low while acute the shutter. This opens a apple of new angles for your photography, and you should absolutely accomplish use of it if you buy this camera. At the actual least, you can about-face it about so the awning is adequate as you shoot with the optical viewfinder.

Like every DSLR, the best important affection on the advanced is the lens mount. In this case, the all-black T3i has a Canon EF arise and accepts over 60 EF-S lenses. Additionally actuality is a alien sensor on the actual adequate anchor with a accurately textured surface, a 4-pinhole mic, lens absolution and depth-of-field examination buttons.

On the top is the hot shoe for accessories, which sits abaft the auto pop-up flash, the approach dial, ability switch, affectation and ISO buttons as able-bodied as jog caster to accomplish agenda adjustments. The bang is angled on the grip. The approach punch is archetypal for Canon, with a mix of accepted arena and chiral options as able-bodied as a cine setting. The newest is “A+” — Arena Intelligent Auto — which is a souped-up acute auto. Actuality the camera analyzes the accountable in advanced of it and adjusts Account Appearance Auto additional the Automated Lighting Optimizer, auto white balance, autofocus and automated exposure. We begin it formed well, but there are affluence of tweaks accessible for Account Styles already you move out of A+.

The aback of the T3i has that abundant awning and an optical viewfinder with 95-percent advantage and 0.85x magnification. It’s not the brightest viewfinder we’ve anytime used, but it’s absolutely workable. It’s amidst by a elastic eyecup and a adjacent diopter ascendancy lets you acclimatize it to your eyesight. You’ll additionally acquisition the accepted blast of buttons including Menu, Info, Live View, Acknowledgment Compensation, Q, Playback and Delete. The four-way ambassador gives quick admission to AF, Account Styles, burst/self-timer and white balance. In the top appropriate bend are two buttons to enlarge or compress the admeasurement of your images during playback. Additionally actuality is a adequate deride blow with a textured accomplishment and tiny speaker.

On the appropriate ancillary of the camera is a alcove for your SD agenda (it accepts SDXC) while the larboard has two rather chiffon doors. One gives admission to A/V and mini-HDMI outs, while the additional has inputs for mics and remotes. The basal of the Made In Japan DSLR has a metal tripod arise and array compartment. The camera measures 5.2 x 3.9 x 3.1 (W x H x D, in inches) and weighs 18.2 ounces (body only). For comparison, the accepted Editor’s Choice 16-megapixel Nikon D7000 has agnate ambit but weighs 6 ounces added as it has a beefier anatomy and ruggedized build.

The T3i is a well-designed (for the best part) DSLR that’s accessible abundant to aces up and alpha shooting. Mastering all of its intricacies will booty time, of course. If you aloof demand to blaze abroad in A+, by all agency do so, but it would be a abashment not to abuse it.

What’s in the box

The camera anatomy and whichever kit lens you accept (our analysis sample had the 18-135mm counterbalanced lens). You additionally get a ample 324-page owner’s manual, strap, anatomy cap, USB and A/V cables, array and charger. The array is rated 550 shots after the flash, 440 application the beam 50 percent of the time, per CIPA. These are solid specs and unless you’re recording video all day long, the array should survive an continued airing in the field. You additionally get two CD-ROMs. One is the EOS Digital Solution Disk with Mac and Windows software for alteration photos and developing RAW files. The added is the software apprenticeship manual. We answerable the battery, loaded a 16GB SanDisk Extreme Pro SDHC agenda and went on our amusing way.

Specifications

Type
Digital, AF/AE single-lens reflex, camera with built-in flash

Recording Media
SD/SDHC/SDXC card, via external media (USB v.2.0 hard drive, or via Wireless LAN (Eye-Fi card*))

*Canon cameras are not guaranteed to support Eye-Fi card functions, including wireless transfer. In case of an issue with the Eye-Fi card, please consult with the card manufacturer. The use of Eye-Fi cards may not be approved in all regions, or from one region to another; please contact the card manufacturer for status of approval in the country/region of use.

Image Format
22.3 x 14.9 mm (APS-C size)

Compatible Lenses
Canon EF lenses including EF-S lenses

(35mm-equivalent focal length is approx.1.6x the lens focal length)

Lens Mount
Canon EF mount

Image Sensor

Type
High-sensitivity, high-resolution, large single-plate CMOS sensor

Pixels
Effective pixels: Approx. 18.0 megapixels

Total Pixels
Total pixels: Approx. 18.70 megapixels

Aspect Ratio
3:2 (Horizontal : Vertical)

Color Filter System
RGB primary color filters

Low Pass Filter
Fixed position in front of the CMOS sensor

Dust Deletion Feature
(1) Automatic Sensor Cleaning

Removes dust adhering to the low-pass filter.
Self-cleaning executed automatically (taking 2 sec.) when power is turned on or off. Manual execution also possible (taking 5 sec.).
Low-pass filter has a fluorine coating.

(2) Dust Delete Data appended to the captured image

The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
The dust coordinate data appended to the image is used by the provided software to automatically erase the dust spots.

(3) Manual cleaning of sensor

Recording System

Recording Format
Design rule for Camera File System 2.0 and 2.30

File Size
(1) Large: Approx. 17.90 Megapixels (5,184 x 3,456)

(2) Medium: Approx. 8.00 Megapixels (3,456 x 2,304)

(3) Small: Approx. 4.50 Megapixels (2,592 x 1,728)

(4) S2: Approx. 2.50 Megapixels (1,920 x 1,280)

(5) S3: Approx. 0.35 Megapixels (720 x 480)

(6) RAW: Approx. 17.90 Megapixels (5,184 x 3,456)

Exact file sizes depend on the subject, ISO speed, Picture Style, etc.

Recording Functions
Images record directly to the SD card.

File Numbering
Consecutive numbering, auto reset, manual reset.

RAW + JPEG Simultaneous Recording
RAW and Large JPEG images are recorded simultaneously

Color Space
sRGB, Adobe RGB

Picture Style
Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3

White Balance

Settings
Auto, Daylight, Shade, Cloudy, Tungsten Light, White Fluorescent Light, Flash, Custom

Auto White Balance
Auto white balance with the image sensor

Color Temperature Compensation
White balance correction:

Blue/amber bias: ±9 levels
Magenta/green bias: ±9 levels

White balance bracketing:

±3 levels, in single-level increments

Color Temperature Information Transmission
Provided

Viewfinder

Type
Eye-level SLR (with fixed pentamirror)

Coverage
Vertical/Horizontal approx. 95% (TD)

Magnification
Approx. 0.85x / 23.8° (with 50mm lens at infinity, -1 m^-1 (dpt))

Eye Point
Approx. 19 mm (At -1m^-1 from the eyepiece lens center)

Dioptric Adjustment Correction
Adjustable from approx. -3.0 to +1.0 m^-1 (dpt)

Focusing Screen
Fixed

Mirror
Quick-return half mirror (transmittance: reflectance ratio of 40:60)

Viewfinder Information
1) AF information (AF points, focus confirmation light)

2) Exposure information (Shutter speed, aperture, ISO speed, AE lock, exposure level, spot metering circle, exposure warning)

3) Flash information (Flash ready, flash exposure compensation, high-speed sync, FE lock, red-eye reduction light)

4) Image information (Highlight tone priority, Monochrome shooting, maximum burst, white balance correction, SD card information)

5) Composition information (Grid, electronic level)

6) Battery check

Depth Of Field Preview
Enabled with depth-of-field preview button

Autofocus

Type
TTL-CT-SIR AF-dedicated CMOS sensor

AF Points
9 points (Center AF point is cross-type, vertical-line sensitive at f/2.8.)

AF Working Range
EV -0.5 - 18 (at 23°C/73°F and ISO 100, based on Canon's testing standards)

Focusing Modes
(1) Autofocus

One-Shot AF
Predictive AI Servo AF
AI Focus AF

(2) Manual focus (MF)

AF Point Selection
(1) Manual selection

(2) Auto selection

* Automatically set (2) in Basic Zone modes and A-DEP mode.

Selected AF Point Display
Indicated by superimposed display in the viewfinder and on the LCD monitor

AF Assist Beam
(1) Intermittent firing of built-in flash

(2) Effective range: Approx. 4 m/13.1 ft at center, approx. 3.5 m/11.5 ft at periphery

* With an EOS-dedicated Speedlite attached, the Speedlite's AF-assist beam is emitted instead.

* Compatible with assist-beam (intermittent firing) of 320EX, 270EX II and 270EX flashes.

Exposure Control

Metering Modes
TTL maximum aperture metering with 63-zone metering sensor

Evaluative metering (linkable to all AF points)
Partial metering (center, approx. 9% of viewfinder at center)
Spot metering (center, approx. 4% of viewfinder at center)
Center-weighted average metering

Metering Range
EV 1.0 - EV 20.0 (at 73°F/23°C with EF50mm f/1.4 USM lens, ISO 100)

Exposure Control Systems
Program AE (Shiftable), Shutter-priority AE, Aperture-priority AE, Manual exposure, Automatic depth-of-field, Scene Intelligent Auto, Flash Off, Creative Auto, Programmed Image Control modes, E-TTL II autoflash program AE

ISO Speed Range
Auto, ISO 100 - 6400 (in whole-stop increments), H: 12800

Exposure Compensation
Manual: ±5 stops in 1/3- or 1/2-stop increments (AEB ±2 stops)

* Indicated up to ±3 stops in the viewfinder.

AE Lock
Auto: Applied in One-Shot AF mode with evaluative metering when focus is achieved

Manual: By AE lock button

Shutter
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically controlled. 1/4000 to 1/60 sec., X-sync at 1/200 sec.

1/4000 to 30 sec., Bulb (Total shutter speed range. Available range varies by shooting mode.)

Settable in 1/3- or 1/2-stop increments.

Soft-touch electromagnetic release 10-sec. or 2-sec. delay (1) The EOS Rebel T3i has a remote control terminal for Remote Switch RS-60E3.

(2) Compatible with Remote Controller RC-6, RC-1 and RC-5.

Type
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically controlled.

Shutter Speeds
1/4000 to 1/60 sec., X-sync at 1/200 sec.

1/4000 to 30 sec., Bulb (Total shutter speed range. Available range varies by shooting mode.)

Settable in 1/3- or 1/2-stop increments.

Shutter Release
Soft-touch electromagnetic release

Self Timer
10-sec. or 2-sec. delay

Remote Control
(1) The EOS Rebel T3i has a remote control terminal for Remote Switch RS-60E3.

(2) Compatible with Remote Controller RC-6, RC-1 and RC-5.

Built in Flash

Type
Auto pop-up, retractable, built-in flash in the pentaprism

Guide Number
Approx. 13/43 (at ISO 100 in meters/feet)

Recycling Time
Approx. 3 sec.

Flash Ready Indicator
Flash-ready icon lights in viewfinder

Flash Coverage
Up to 17mm focal length (equivalent to approx. 28mm in 135 format)

FE Lock
Provided

Flash Exposure Compensation
Up to ±2 stops in 1/3- or 1/2-stop increments

Flash exposure compensation for built-in flash and Speedlite can be set with the camera.

External Speedlite

Flash Metering
E-TTL II autoflash

Flash Exposure Compensation
±2 stops in 1/3-stop or 1/2-stop increments

FE Lock
Provided

Drive System

Drive Modes
Single, Continuous, 10-sec. self-timer/Remote control, 2-sec. self-timer, Continuous shooting after 10-sec. self-timer

Continuous Shooting Speed
Max. approx. 3.7 fps [TD] (with One-Shot AF or AI SERVO AF)

* Same as with Battery Grip BG-E8 loaded with size-AA/LR6 alkaline batteries.

Maximum Burst
JPEG (Large/Fine): approx. 34

RAW: approx. 6

RAW+JPEG (Large/Fine): approx. 3

* The number of possible shots and maximum burst apply to a 4GB card based on Canon's testing standards.

* The image file size, number of possible shots, and maximum burst will vary depending on the shooting conditions (3:2 aspect ratio, subject, memory card brand, ISO speed, Picture Style, Custom Functions, etc.).

* "F" indicates that continuous shooting is possible until the card becomes full.

Live View Functions

Shooting Modes
Still photo shooting and video shooting

Focusing
(1) Autofocus (Same as focusing with Live View shooting)

Before shooting a movie, 1, 2, and 3 below are possible.

AF during movie shooting is possible with [AF w/ shutter button during video]. When this is set to [Enable], 1 and 2 below are possible:

A. Live mode

B. Face detection Live mode

C. Quick mode

* If 3 has been set when you start shooting a movie, it will switch to 1 automatically.

(2) Manual focusing

* Magnify the image by about 5x or 10x and focus manually.

* Magnified view not possible with digital zoom nor during movie shooting.

Metering Modes
(1) AF point-linked evaluative metering

* Used when the AF mode is Face detection Live mode and a face has been detected.

(2) Center-weighted average metering

* Used during manual focus, when the AF mode is Face detection Live mode and a face has not been detected. Also used in the Live mode and Quick mode.

* Metering range: EV 0 to EV 20 (At 23°C/73°F and ISO 100, with 50mm f/1.4 lens)

Metering Range
EV 0 to EV 20 (At 23°C/73°F and ISO 100, with 50mm f/1.4 lens)

Grid Display
Two grids provided (not displayed during movie shooting):

(1) Grid 1: Pair of vertical and horizontal lines

(2) Grid 2: 5 vertical and 3 horizontal lines

Exposure Simulation
Provided

Silent Shooting
Not provided

LCD Monitor

Type
TFT color, liquid-crystal monitor

Monitor Size
3.0 in. (Screen aspect ratio of 3:2)

Pixels
Approx. 1,040,000 dots

Coverage
Approx. 100%

Viewing Angle: 170°

Brightness Control
Adjustable to one of seven brightness levels

Interface Languages
25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Hungarian, Czech, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese)

Playback

Display Format
(1) Single image display

Single image, basic information, detailed information, histogram display

(2) Index display

4-image index and 9-image index.

(3) Jump display (Image jump w/ Main Dial)

1/10/100 images, shooting date, by folder, movies, stills, rating

Highlight Alert
On the detailed information and histogram displays, highlight areas with no image data will blink.

Image Protection and Erase

Protection
Erase protection can be applied/canceled for a single image, all images in a folder, or all images in the card.

Erase
Erase single image, erase selected images, erase all images on folder, erase all images in a card, or erase only unprotected images.

Direct Printing

Compatible Printers
PictBridge-compatible printers

Printable Images
JPEG images complying to Design rule for Camera File System

RAW images printable.
Movies cannot be printed.

DPOF: Digital Print Order Format

DPOF
Version 1.1 compatible

Customization

Custom Functions
11 Custom Functions with 34 settings settable with the camera

Camera User Settings
Not provided

Power Source

Battery
Battery Pack LP-E8 x 1

* With the AC Adapter Kit ACK-E8, AC power is possible.

* With BG-E8, two battery packs (LP-E8) can be used. Or six size-AA/LR6 batteries can be used.

Battery Life
1) Camera body only:

Shooting Method	Temperature	Shooting Conditions
Shooting Method	Temperature	AE 100%	AE 50%, FA 50%
Viewfinder Shooting	At 73°F/23°C	Approx. 550	Approx. 440
Viewfinder Shooting	At 32°F/0°C	Approx. 470	Approx. 400
Live View Shooting	At 73°F/23°C	Approx. 200	Approx. 180
Live View Shooting	At 32°F/0°C	Approx. 170	Approx. 150

2) With Battery Grip BG-E8:

Shooting Method	Battery	Temperature	Shooting Conditions
			AE 100%	AE 50%, FA 50%
Viewfinder Shooting	LP-E8 x 1	Same as (1)
	LP-E8 x 2	At 73°F/23°C	Approx. 1100	Approx. 880
		At 32°F/0°C	Approx. 940	Approx. 800
	Size-AA/LR6 alkaline batteries	At 73°F/23°C	Approx. 470	Approx. 270
		At 32°F/0°C	Approx. 130	Approx. 80
Live View Shooting	LP-E8 x 1	Same as (1)
	LP-E8 x 2	At 73°F/23°C	Approx. 400	Approx. 360
		At 32°F/0°C	Approx. 340	Approx. 300
	Size-AA/LR6 alkaline batteries	At 73°F/23°C	-	-
		At 32°F/0°C	-	-

The figures above are based on CIPA (Camera & Imaging Products Association) testing standards

Battery Check
Automatic battery level check when power is turned ON.

Battery level indicated in one of four levels on LCD monitor.

Power Saving
Power turns off after the set time of non-operation elapses

* [Auto power off] settable to 30 sec., 1 min., 2 min., 4 min., 8 min., or 15 min.

Date/Time Battery
Built-in secondary battery. When fully-charged, the date/time can be maintained for about three months.

Start-up Time
Approx. 0.1 sec. (Based on CIPA testing standards)